Field Notes United States of Letterpress - Series B
FREEDOM OF THE PRESSES
The FieldNotes 48th Quarterly Limited Edition is the United States of Letterpress, which features the work of nine independent letterpress shops from across America. This series demonstrates a wide array of craftsmanship, ingenuity, and love for the age-old and tactile process of letterpress printing.
With the help of our friends at Finch Paper of Glens Falls, New York, and The French Paper Company of Niles, Michigan, we shipped each shop a different colour cover stock (all from Frenchs Pop-Tone line) and specified the same two ink colours (Rubine Red and Process Blue) for all of them. The results are as varied and thoughtful as the participants involved.
Continuing a tradition embossed into the history of American letterpress printing, the layouts, themes and messages are highly personal statements about heritage, geography, tradition, and social issues, and they also demonstrate the diversity and strength of todays letterpress community.
If you havent done so already, please take a few minutes to meet the creators of this edition in the short documentary film we produced to accompany this release.
In 2015, we released the Two Rivers Edition with The Hamilton Wood Type & Printing Museum of Two Rivers, Wisconsin, and we leaned on them this time too. With Hamiltons help, we crafted a list of letterpress printers we wanted to work with. Luckily for us, they all said yes.
Please note: Most of the artists we worked with created two designs of each book so the 3-Packs of A, B, and C may vary from the image shown below. Click the text link in each pack description to see the designs you may receive. At this time we are unable to fulfil requests for specific designs inside the 3-Packs in your order.
3-PACK B
Includes one of two cover designs by Springtide Press of Tacoma of Washington, One of two by Brad Vetter of Louisville, Kentucky. One of two by Ben Blount of Evanston, Illinois.
MILES COVERED
Lake County Press, of Waukegan, Illinois, pre-printed the Field Notes elements on the exteriors and interiors of the cover stock, which was then trimmed down from standard 26" x 40" press sheets to 8.5" x 13", with the art arranged 2-up on a sheet. We then shipped one colour to each of the letterpress printers.
The printers utilized any and all methods at their disposal, with the only, dictate being that they print a 2-colour design using our specified red & blue inks.
The covers and flyleaf sheets were shipped back to LCP, where light tan Graph Grid interior pages, printed on Finch Opaque Smooth Bright White, were waiting. All the elements were then collated, bound, stapled, and cut, and the 3-Packs assembled.
This project was produced through the craft and creativity of twelve printers around the country, with the help, gumption, and know-how of countless others, passed down by job-printers, collectors, and hobbyists over the last several centuries.